In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does a Tamil film-maker have, faced with the twin threats of a surveillance state and a populist mainstream cinema from Tamil Nadu that dominates popular imagination?
via: http://www.frontline.in/arts-and-culture/cinema/surveillance-and-survival/article5652190.ece
source: www.frontline.in
OpenEdition vous propose de citer ce billet de la manière suivante :
DM (8 février 2014). “Surveillance and survival” by Sivamohan Sumathy. SRI LANKA & DIASPORAS. Consulté le 14 décembre 2024 à l’adresse https://doi.org/10.58079/u89n