Sri lankan Civil War | LTTE | ഒരു തമിഴ് പുലി കഥൈ (by Milestone in Malayalam)

Sumary

The origins of the Sri Lankan Civil War lie in the continuous political rancor between the majority Sinhalese and the minority Sri Lankan Tamils. Before and during the early part of colonial rule by Europeans, Sri Lanka was under the rule of three separate kingdoms. During the colonial rule by Portuguese and then the Dutch, the three sovereign states were ruled as separate entities. The final British colonial rule amalgamated the entire island into a single administrative entity after independence, and the minorities were handed over to the mercy of the majority. According to Jonathan Spencer, a social anthropologist from the School of Social and Political Studies of the University of Edinburgh,[1] the war is an outcome of how modern ethnic identities have been made and re-made since the colonial period, with the political struggle between minority Tamils and the Sinhalese-dominant government accompanied by rhetorical wars over archeological sites and place name etymologies, and the political use of the national past.

Source: Milestone Youtube Channel

“Declassified Documents Detail Israel’s Role at the Start of Sri Lanka’s Civil War” by Eitay Mack (The Wire)

The Sri Lankan government has acknowledged that there could be as many as 65,000 people missing following three decades of civil war. Photo: Amantha Perera/IPS

We would like to share an article written by Eitay Mack for the Wire on “Declassified Documents Detail Israel’s Role at the Start of Sri Lanka’s Civil War“. 

Files from Israel’s Foreign Ministry from the mid-1980s concerning relations with Sri Lanka – recently partially opened to the public in the Israel State Archives – confirm information that had surfaced in the press over the years and reveal new details. Not only did Israel ignore the severity of the human rights situation, it also knew from the outset that its military assistance had limited prospects of success.

Eitay Mack is an Israeli human rights lawyer and activist who exposes Israel’s role in the Sri Lankan civil war and has pursued legal action in Israel.

source: The Wire

“Memories of Exile, Memory in Exile: The Sri Lankan Separatist Conflict in the Films of Pradeepan Raveendran” by Anthony Goreau-Ponceaud and Paul Veyret

The article on “”Memories of Exile, Memory in Exile: The Sri Lankan Separatist Conflict in the Films of Pradeepan Raveendran” written by Anthony Goreau-Ponceaud and Paul Veyret could be access for free there

Abstract:

In this article, we wish to examine the place of the memory of the armed conflict in Sri Lanka and how it is transmitted. We analyze how stories, memories, and narratives collide, and how Sri Lankan Tamil migrants in France seek out traces of their past to negotiate their inclusion in the present. Using a body of film – Pradeepan Raveendran’s creations – and interviews with the filmmaker, we explore how each personal history of the conflict accounts for the reorganization of the subject’s identity and environment, and thus, is perpetuated from one generation to the next. This article explores building on Stef Craps’s work on postcolonial trauma, how the memory of this conflict is transmitted in France. We also analyze how each actor negotiates a new space, both real and imaginary, in the space of the diaspora. Finally, we look at how the past is reconstructed to build a collective memory akin to Maurice Halbwachs’s new “social frameworks” (Halbwachs Citation1925).

Film Screening of “DEMONS IN PARADISE” at ICES Auditorium, on 8th August 2017, at 4.30PM

Synopsis

Sri Lanka, 1983: Jude Ratnam was five years old. He fled the massacre of the Tamils instigated by the majority-Sinhalese government on a red train.
Now a filmmaker, he takes the same train from the south to the north of the island.

As he advances, the traces of violence left by the 26-year-old war, which turned the Tamil’s fight for freedom into self-destructive terrorism, pass before his eyes.
Reminiscing about the fighters and Tamil Tigers, he unveils the repressed memories of his compatriots, opening the door to a new era and making peace possible again.

Demons in Paradise is the result of 10 years of work. For the first time, a Tamil documentary filmmaker living in Sri Lanka is showing the civil war from the inside.

“India set to back UN investigation into Sri Lanka war ‘crimes'” by Dean Nelson

India is set to support an international investigation into alleged war crimes by the Sri Lankan army in the final stages of its long civil war, government sources said on Wednesday.

Its decision to add its weight to a campaign led by Britain and the United States will be a serious blow to Mahinda Rajapaksa, the Sri Lankan president, whose government has traditionally had strong ties with India.

As the biggest regional power, India’s support will also increase the likelihood that next month’s United Nations Human Rights Committee meeting in Geneva will pass a resolution calling for an international investigation.

Via : http://www.telegraph.co.uk/news/worldnews/asia/srilanka/10649276/India-set-to-back-UN-investigation-into-Sri-Lanka-war-crimes.html

source: www.telegraph.co.uk

“Laments from a Lacerated Terrain” by Malathi de Alwis, in Journal of Postcolonial Cultures and Societies 4, 2 (2103)

we would like to share a link to read and download Malathi de Alwis’s last article, “Laments from a Lacerated Terrain”, published in Journal of Postcolonial Cultures and Societies 4, 2 (2103)

https://www.dropbox.com/s/7jzggca6d91nzb3/De%20Alwis.pdf

ABSTRACT

This is a collection of Sri Lankan women’s poetic responses to the varied forms and kinds of violence they have experienced during the protracted civil war in the north and east of Sri Lanka, that spanned almost three decades (early 1980s to May 2009) and during the youth uprising that took place in the south of the island, from 1987 to 1993. The Tamil, Sinhala, Muslim, and Burgher/Eurasian women represented here not only live(ed) and work(ed) in disparate regions of the island resulting in divergent experiences of the war but they also differ(ed) from each other in terms of class, caste, religion, language and sexual orientation. While all the poems may not be equivalent with regard to literary merit, what they do have in common is their ability to move, inspire, provoke, and challenge.

source: http://writingbeyondthemargins.org/journal-of-postcolonial-culture-and-societies/2013-3/special-issue-2-2/