Film Screening of “DEMONS IN PARADISE” at ICES Auditorium, on 8th August 2017, at 4.30PM


Sri Lanka, 1983: Jude Ratnam was five years old. He fled the massacre of the Tamils instigated by the majority-Sinhalese government on a red train.
Now a filmmaker, he takes the same train from the south to the north of the island.

As he advances, the traces of violence left by the 26-year-old war, which turned the Tamil’s fight for freedom into self-destructive terrorism, pass before his eyes.
Reminiscing about the fighters and Tamil Tigers, he unveils the repressed memories of his compatriots, opening the door to a new era and making peace possible again.

Demons in Paradise is the result of 10 years of work. For the first time, a Tamil documentary filmmaker living in Sri Lanka is showing the civil war from the inside.

“India set to back UN investigation into Sri Lanka war ‘crimes'” by Dean Nelson

India is set to support an international investigation into alleged war crimes by the Sri Lankan army in the final stages of its long civil war, government sources said on Wednesday.

Its decision to add its weight to a campaign led by Britain and the United States will be a serious blow to Mahinda Rajapaksa, the Sri Lankan president, whose government has traditionally had strong ties with India.

As the biggest regional power, India’s support will also increase the likelihood that next month’s United Nations Human Rights Committee meeting in Geneva will pass a resolution calling for an international investigation.

Via :


“Laments from a Lacerated Terrain” by Malathi de Alwis, in Journal of Postcolonial Cultures and Societies 4, 2 (2103)

we would like to share a link to read and download Malathi de Alwis’s last article, “Laments from a Lacerated Terrain”, published in Journal of Postcolonial Cultures and Societies 4, 2 (2103)


This is a collection of Sri Lankan women’s poetic responses to the varied forms and kinds of violence they have experienced during the protracted civil war in the north and east of Sri Lanka, that spanned almost three decades (early 1980s to May 2009) and during the youth uprising that took place in the south of the island, from 1987 to 1993. The Tamil, Sinhala, Muslim, and Burgher/Eurasian women represented here not only live(ed) and work(ed) in disparate regions of the island resulting in divergent experiences of the war but they also differ(ed) from each other in terms of class, caste, religion, language and sexual orientation. While all the poems may not be equivalent with regard to literary merit, what they do have in common is their ability to move, inspire, provoke, and challenge.