« Surveillance and survival » by Sivamohan Sumathy

In post-war Sri Lanka, Sinhala cinema is all about triumphal cultural nationalism. What options does a Tamil film-maker have, faced with the twin threats of a surveillance state and a populist mainstream cinema from Tamil Nadu that dominates popular imagination?

via: http://www.frontline.in/arts-and-culture/cinema/surveillance-and-survival/article5652190.ece

source: www.frontline.in