“Shobhasakthi’s Traitor ends with a surrealistic description where an old man wandering about the mountains with a corpse which he carries – a corpse which he uses to entertain, disgust and even to drive away people; which he sometimes uses for his own sustenance – encounters a carter going uphill caught in a predicament with its horse which wouldn’t budge. The carter whispers in the horse’s ear, tries a mild stroking from its whip and – all failing – thrashes the beast with all his might. The old man, who with his corpse is seated nearby, is visibly moved and intervenes. This abstraction with which the novel ends is a surrealistic summing up of the fate of the Eelamist struggle and the fate of its various stakeholders.”
We are pleased to share a link to download the Master thesis of Marianne Godard which deals with “Sri Lankan Migrants and Identity in Contemporary British Fiction: Roma Tearne’s Art of Memory”. This work, headed by Professor Ruth Morse, was realized in the framework of the Master in Anglophones studies at the University Diderot Paris 7.
Référence: Godard M., 2011, “Sri Lankan Migrants and Identity in Contemporary British Fiction: Roma Tearne’s Art of Memory”, Master’s thesis in Anglophones studies, Paris, University Diderot Paris 7, p.57